Image PlaygroundOpen studio ↗

DUEL workshop · 15–25 minutes

A directed two-image collage.

Give each image a clear role, connect their focal forms and refine where they meet. Compare a composed cut with a tonal overlay.

Choose example images or your own. The same guide stays within reach in the studio.

A coffee cup and a cat’s face meet across one diagonal, joined by blue inks and a warm paper frame.

Bring the right source.

The supplied cup and cat photographs connect a round rim with a gaze. For your own pair, look for a related shape, direction or contrast. Two busy scenes need more deliberate cropping.

Inspect the sources and credits →

Leave with useful files.

A composed collage PNG, an optional short motion file and a project preserving both sources and their framing.

You can create and follow the workshop for free. Watermarks, dimensions, animation length and production packages depend on the export option; check the format guide and Free / Pro before planning a delivery.

The work, step by step.

  1. 01 / DUEL

    Give the pair different jobs

    Try Cup meets gaze or load A and B. Name the visual connection: a repeated curve, a gaze, a horizon or a meaningful contrast. A determines the output shape.

    Check your work
    Both images contribute to one idea.
    If it goes wrong
    Choose another B if there is no useful relationship to frame.
  2. 02 / DUEL

    Start from a strong arrangement

    Open Start → Crosscut. Compare Photo A and B with the preview. Adjust each horizontal and vertical crop, zoom and mirror to bring the cup and gaze to the shared diagonal and focal height.

    Check your work
    Both subjects read at a small size without clipped defining features.
    If it goes wrong
    Reduce zoom or shift the relevant crop; automatic fitting is a proposal, not subject recognition.
  3. 03 / DUEL

    Choose the kind of meeting

    Compare Crosscut with Paired study for separate regions. For a subject-and-texture overlay, choose Tonal weave, set its light / dark target and Texture visibility, then compare Blending on and off. Apply the arrangement that serves the pair.

    Check your work
    You can tell which source leads and what the second adds.
    If it goes wrong
    Lower texture visibility if the overlay obscures the subject. Return to Crosscut if two distinct subjects need their own space.
  4. 04 / DUEL

    Refine the contact and local ownership

    Open Edit. Adjust each source independently, then choose Original edge, Clean cut or Feather. Photo A / B brushes keep a source in a local area; Erase returns it to the automatic rule. Balance, Brightness, Edge and Chaos remain alternatives for territory experiments.

    Check your work
    The contact is intentional and neither source disappears without a reason.
    If it goes wrong
    Reduce Feather width if a face ghosts. Balance changes competition, not opacity; use the blending controls for an overlay.
  5. 05 / DUEL

    Compare before polishing

    Preserve a version in History. Try one alternate framing or territory, compare the result, then use Compose only if it helps unify the pair.

    Check your work
    The relationship works before extra color treatment.
    If it goes wrong
    Restore the stronger version if color effects only hide a weak composition.
  6. 06 / DUEL

    Deliver the collision

    Export PNG and save a project backup. For motion, choose a short loop or replay video and open the actual file to check that both photos remain readable.

    Check your work
    The backup restores both sources, independent framing and painted influence. The motion file actually plays.
    If it goes wrong
    A flattened PNG cannot restore the two sources separately. Retain the project for future changes.

Make a second interpretation.

Save the Start style and keep B fixed while trying another A. Batch refitting adjusts the pair for each A; review the new relationship before keeping it.

Choose what comes next.