Choose a visual direction

Start with
a feeling.

Six collections, each with its own way of working. Explore a style, open a finished study, then change the ingredients.

A stone face pulled into a hot-pink magnetic field.

5 studies

Sculpted photographs

Bend an image, hold its center, or let a small gesture travel through it. Begin with Start → Photographic current, compare the protected detail and the surrounding movement, then use the manual brush where it helps.

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A painted summer becomes a coarse, electric color field.

5 studies

Print experiments

Print dots, grain, split color and stepped tones meet physical-looking distortion. The finish is an ordered stack: change one pass, then see what the next pass does.

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Iris petals become sharp blocks of pink, citron and violet.

5 studies

Tonal posters

Separate brightness into deliberate bands of color. A face, a flower or a wave becomes a set of shapes you can recolor and export as paths.

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Five warm landscape plates, with two deliberately slipping out of line.

5 studies

Separated impressions

Explore two, three or five plates. Change the ink, hide a plate, or shift its registration to build a print from visibly separate impressions.

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Flowers surround a stone face while painted territories protect its features.

5 studies

Photographic collisions

Compose with Crosscut or Paired study, blend a related texture with Tonal weave, or use local ownership to decide where each image belongs.

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A breaking wave collides with a lacework of cut flowers.

5 studies

Graphic collisions

Combine two image structures, then bind the collision with two inks, color steps or offsets. The second image changes the structure as well as the palette.

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